TagToxic Relationships

Book Review: Disorientation by Elaine Hsieh Chou

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Cover of Disorientation by Elaine Hsieh Chou

The Gist: Disorientation is a gripping campus novel that uses satire to confront bias and complicity in academic spaces.

Series: Standalone

Release Date: March 22, 2022

Synopsis
A Taiwanese American woman’s coming-of-consciousness ignites eye-opening revelations and chaos on a college campus in this outrageously hilarious and startlingly tender debut novel.

Twenty-nine-year-old PhD student Ingrid Yang is desperate to finish her dissertation on the late canonical poet Xiao-Wen Chou and never read about “Chinese-y” things again. But after years of grueling research, all she has to show for her efforts are junk food addiction and stomach pain. When she accidentally stumbles upon a curious note in the Chou archives one afternoon, she convinces herself it’s her ticket out of academic hell.

But Ingrid’s in much deeper than she thinks. Her clumsy exploits to unravel the note’s message lead to an explosive discovery, upending not only her sheltered life within academia but her entire world beyond it. With her trusty friend Eunice Kim by her side and her rival Vivian Vo hot on her tail, together they set off a roller coaster of mishaps and misadventures, from book burnings and OTC drug hallucinations, to hot-button protests and Yellow Peril 2.0 propaganda.

In the aftermath, nothing looks the same to Ingrid—including her gentle and doting fiancé, Stephen Greene. When he embarks on a book tour with the super kawaii Japanese author he’s translated, doubts and insecurities creep in for the first time… As the events Ingrid instigated keep spiraling, she’ll have to confront her sticky relationship to white men and white institutions—and, most of all, herself.

For readers of Paul Beatty’s The Sellout and Charles Yu’s Interior Chinatown, this uproarious and bighearted satire is a blistering send-up of privilege and power in America, and a profound reckoning of individual complicity and unspoken rage. In this electrifying debut novel from a provocative new voice, Elaine Hsieh Chou asks who gets to tell our stories—and how the story changes when we finally tell it ourselves.

Ending
The ending is very OTT because the book is satire, but I think it reflects what happens in real life: those who perpetuate oppression through a “free speech” narrative are rewarded, whereas those who call out oppression – white supremacy – are punished by institutions (and the people who want to uphold it). Disorientation ends with Ingrid having dropped out of her Ph.D. and working a minimum wage job at a hot dog fast food joint. But the author emphasizes that while society might consider this “failure,” Ingrid is all the better for it. This is a brief pause as she considers what she wants to do now that she’s left academia. She finally has time to rest and heal from the trauma of academia, and she’s rebuilding her relationship with her parent and learning their native language. Essentially, Ingrid is on the road to reclaiming herself and her identity outside of the white space of academia.
Representation
• Taiwanese-American main character
• Korean-American supporting character
• lesbian Vietnamese-American supporting character
• Chinese side character
• lesbian Black side character
• Taiwanese-American side character
Possible Triggers: Yes
• Racism
• Gaslighting
• Emotional abuse
• Homophobia
• Xenophobia
• Misogyny
• Cultural appropriation
• Racial slurs
• Discussion of a side character’s attempted suicide
• Cultural appropriation
• Yellowface
• Fetishization of East Asian women becomes a main plot point
• Brief allusion to an adult/minor relationship between a supporting character and his wife (he met his wife in China when he was 27, and earlier, it was mentioned that there’s a 15-year age gap between them)
Mature Themes
• Sex
• Cursing
• Drug abuse
• See Ending for HEA status.
• See Possible Triggers for Abuse and OTT sad parts.

Format: Hardcover

Rating: 5-stars

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