My Exciting June TBR: Epic Fantasy, the Best Nonfiction, and New Releases

It has been foretold: A child will rise to defeat the Eternal Khan, a cruel immortal god-king, and save the kingdom.

The hero: Jian, who has been raised since birth in luxury and splendor, celebrated before he has won a single battle.

But the prophecy was wrong.

Because when Taishi, the greatest war artist of her generation, arrives to evaluate the prophesied hero, she finds a spoiled brat unprepared to face his destiny.

But the only force more powerful than fate is Taishi herself. Possessed of an iron will, a sharp tongue—and an unexpectedly soft heart—Taishi will find a way to forge Jian into the weapon and leader he needs to be in order to fulfill his legend.

What follows is a journey more wondrous than any prophecy can foresee: a story of master and student, assassin and revolutionary, of fallen gods and broken prophecies, and of a war between kingdoms, and love and friendship between deadly rivals.

AUDI. VIDE. TACE.

The Catenan Republic – the Hierarchy – may rule the world now, but they do not know everything.

I tell them my name is Vis Telimus. I tell them I was orphaned after a tragic accident three years ago, and that good fortune alone has led to my acceptance into their most prestigious school. I tell them that once I graduate, I will gladly join the rest of civilised society in allowing my strength, my drive and my focus – what they call Will – to be leeched away and added to the power of those above me, as millions already do. As all must eventually do.

I tell them that I belong, and they believe me.

But the truth is that I have been sent to the Academy to find answers. To solve a murder. To search for an ancient weapon. To uncover secrets that may tear the Republic apart.

And that I will never, ever cede my Will to the empire that executed my family.

To survive, though, I will still have to rise through the Academy’s ranks. I will have to smile, and make friends, and pretend to be one of them and win. Because if I cannot, then those who want to control me, who know my real name, will no longer have any use for me.

And if the Hierarchy finds out who I truly am, they will kill me.

Jia Tolentino is a peerless voice of her generation, tackling the conflicts, contradictions, and sea changes that define us and our time. Now, in this dazzling collection of nine entirely original essays, written with a rare combination of give and sharpness, wit and fearlessness, she delves into the forces that warp our vision, demonstrating an unparalleled stylistic potency and critical dexterity.

Trick Mirror is an enlightening, unforgettable trip through the river of self-delusion that surges just beneath the surface of our lives. This is a book about the incentives that shape us, and about how hard it is to see ourselves clearly through a culture that revolves around the self. In each essay, Tolentino writes about a cultural prism: the rise of the nightmare social internet; the advent of scamming as the definitive millennial ethos; the literary heroine’s journey from brave to blank to bitter; the punitive dream of optimization, which insists that everything, including our bodies, should become more efficient and beautiful until we die. Gleaming with Tolentino’s sense of humor and capacity to elucidate the impossibly complex in an instant, and marked by her desire to treat the reader with profound honesty, Trick Mirror is an instant classic of the worst decade yet.

It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother’s coffin as the world watched in sorrow—and horror. As Princess Diana was laid to rest, billions wondered what Prince William and Prince Harry must be thinking and feeling—and how their lives would play out from that point on.

For Harry, this is that story at last.

Before losing his mother, twelve-year-old Prince Harry was known as the carefree one, the happy-go-lucky Spare to the more serious Heir. Grief changed everything. He struggled at school, struggled with anger, with loneliness—and, because he blamed the press for his mother’s death, he struggled to accept life in the spotlight.

At twenty-one, he joined the British Army. The discipline gave him structure, and two combat tours made him a hero at home. But he soon felt more lost than ever, suffering from post-traumatic stress and prone to crippling panic attacks. Above all, he couldn’t find true love.

Then he met Meghan. The world was swept away by the couple’s cinematic romance and rejoiced in their fairy-tale wedding. But from the beginning, Harry and Meghan were preyed upon by the press, subjected to waves of abuse, racism, and lies. Watching his wife suffer, their safety and mental health at risk, Harry saw no other way to prevent the tragedy of history repeating itself but to flee his mother country. Over the centuries, leaving the Royal Family was an act few had dared. The last to try, in fact, had been his mother. . . .

For the first time, Prince Harry tells his own story, chronicling his journey with raw, unflinching honesty. A landmark publication, Spare is full of insight, revelation, self-examination, and hard-won wisdom about the eternal power of love over grief.

THIS IS THE WAY THE WORLD ENDS… FOR THE LAST TIME.

The season of endings grows darker as civilization fades into the long cold night. Alabaster Tenring — madman, world-crusher, savior — has returned with a mission: to train his successor, Essun, and thus seal the fate of the Stillness forever.

It continues with a lost daughter, found by the enemy.

It continues with the obelisks, and an ancient mystery converging on answers at last.

The Stillness is the wall which stands against the flow of tradition, the spark of hope long buried under the thickening ashfall. And it will not be broken.

“I was born on the full moon under an auspicious constellation, the holiest of positions—much good it did me.”

So begins Kaikeyi’s story. The only daughter of the kingdom of Kekaya, she is raised on tales about the might and benevolence of the gods: how they churned the vast ocean to obtain the nectar of immortality, how they vanquish evil and ensure the land of Bharat prospers, and how they offer powerful boons to the worthy. Yet she watches as her father unceremoniously banishes her mother, listens as her own worth is reduced to the marriage alliance she can secure. And when she calls upon the gods for help, they never seem to hear.

Desperate for independence, she turns to the texts she once read with her mother and discovers a magic that is hers alone. With it, Kaikeyi transforms herself from an overlooked princess into a warrior, diplomat, and most favored queen.

But as the evil from her childhood stories threatens the cosmic order, the path she has forged clashes with the destiny the gods have chosen for her family. And Kaikeyi must decide if resistance is worth the destruction it will wreak—and what legacy she intends to leave behind.

2016 Rogers Writers’ Trust Fiction Prize finalist

When Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break — a barren field on an isolated strip of land outside her house — she calls the police to alert them to a possible crime.

In a series of shifting narratives, people who are connected, both directly and indirectly, with the victim — police, family, and friends — tell their personal stories leading up to that fateful night. Lou, a social worker, grapples with the departure of her live-in boyfriend. Cheryl, an artist, mourns the premature death of her sister Rain. Paulina, a single mother, struggles to trust her new partner. Phoenix, a homeless teenager, is released from a youth detention centre. Officer Scott, a Métis policeman, feels caught between two worlds as he patrols the city. Through their various perspectives a larger, more comprehensive story about lives of the residents in Winnipeg’s North End is exposed.

A powerful intergenerational family saga, The Break showcases Vermette’s abundant writing talent and positions her as an exciting new voice in Canadian literature.

“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”

Next to the exhortation at the beginning of Moby-Dick, “Call me Ishmael,” the first sentence of Jane Austen’s Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage–tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye.

As usual, Austen trains her sights on a country village and a few families–in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet’s vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.

Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy’s hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy’s insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth’s low-born but noble-hearted aunt and uncle. Some of Austen’s best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: “It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley.” She may be joking, but there’s more than a little truth to her sentiment, as well.

For Lewis and Wren, their first year of marriage is also their last. A few weeks after their wedding, Lewis receives a rare diagnosis: He will retain most of his consciousness, memories, and intellect, but his physical body will gradually turn into a great white shark. As Lewis develops the features and impulses of one of the most predatory creatures in the ocean, his complicated artist’s heart struggles to make peace with his unfulfilled dreams.

At first, Wren internally resists her husband’s fate. Is there a way for them to be together after Lewis changes? Then, a glimpse of Lewis’s developing carnivorous nature activates long-repressed memories for Wren, whose story vacillates between her childhood living on a houseboat in Oklahoma, her time with her college ex-girlfriend, and her unusual friendship with a woman pregnant with twin birds.

Devoted readers of Lady Trent’s earlier memoirs, A Natural History of Dragons and The Tropic of Serpents, may believe themselves already acquainted with the particulars of her historic voyage aboard the Royal Survey Ship Basilisk, but the true story of that illuminating, harrowing, and scandalous journey has never been revealed—until now. Six years after her perilous exploits in Eriga, Isabella embarks on her most ambitious expedition yet: a two-year trip around the world to study all manner of dragons in every place they might be found. From feathered serpents sunning themselves in the ruins of a fallen civilization to the mighty sea serpents of the tropics, these creatures are a source of both endless fascination and frequent peril. Accompanying her is not only her young son, Jake, but a chivalrous foreign archaeologist whose interests converge with Isabella’s in ways both professional and personal.

Science is, of course, the primary objective of the voyage, but Isabella’s life is rarely so simple. She must cope with storms, shipwrecks, intrigue, and warfare, even as she makes a discovery that offers a revolutionary new insight into the ancient history of dragons.

When Tara Connelly is released from prison after serving eighteen months on a drug charge, she knows rebuilding her life at thirty years old won’t be easy. With no money and no prospects, she returns home to live with her siblings, who are both busy with their own problems. Her brother, a single dad, struggles with the ongoing effects of a brain injury he sustained years ago, and her sister’s fragile facade of calm and order is cracking under the burden of big secrets. Life becomes even more complicated when the cop who put her in prison keeps showing up unannounced, leaving Tara to wonder what he wants from her now.

While she works to build a new career and hold her family together, Tara finds a chance at love in a most unlikely place. But when the Connellys’ secrets start to unravel and threaten her future, they all must face their worst fears and come clean, or risk losing each other forever.

The Connellys of County Down is a moving novel about testing the bounds of love and loyalty. It explores the possibility of beginning our lives anew, and reveals the pitfalls of shielding each other from the bitter truth.

One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them

In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.

From Sauron’s fastness in the Dark Tower of Mordor, his power spread far and wide. Sauron gathered all the Great Rings to him, but always he searched for the One Ring that would complete his dominion.

When Bilbo reached his eleventy-first birthday he disappeared, bequeathing to his young cousin Frodo the Ruling Ring and a perilous quest: to journey across Middle-earth, deep into the shadow of the Dark Lord, and destroy the Ring by casting it into the Cracks of Doom.

The Lord of the Rings tells of the great quest undertaken by Frodo and the Fellowship of the Ring: Gandalf the Wizard; the hobbits Merry, Pippin, and Sam; Gimli the Dwarf; Legolas the Elf; Boromir of Gondor; and a tall, mysterious stranger called Strider.

Her Grace is in danger – and her fangs are ready for battle.

Cassia has risen from the ashes of her human life as a Hesperine with magic the world has never seen. The Gift of immortality from Lio seals their fated Grace bond and frees her from the ancient necromancer known as the Collector. But she won’t leave everyone they love, Hesperines and humans alike, as pawns in his schemes.

Lio fears their hard-won alliances only played into the necromancer’s plots. With their warrior brothers Mak and Lyros, Lio and Cassia embark on a quest to uncover the conspiracy he’s been brewing for centuries. Lio must duel the mage for his secrets on the most dangerous battlefield of all – the minds of the assassins who serve him.

As the four Hesperines face off with the Collector’s deadliest playing pieces, he’s intent on punishing Lio for stealing Cassia from him. Can her new power protect her Grace from their enemy’s revenge?

When kings fall, queens rise.

Nothing about Semiramis’s upbringing could have foretold her legacy or the power she would come to wield. A female ruler, once an orphan raised on the outskirts of an empire – certainly no one in Ancient Assyria would bend to her command willingly. Semiramis was a woman who knew if she wanted power, she would have to claim it.

There are whispers of her fame in Mesopotamian myth- Semiramis was a queen, an ambitious warrior, a commander whose reputation reaches the majestic proportions of Alexander the Great. Historical record, on the other hand, falls eerily quiet.

In her second novel, Costanza Casati brilliantly weaves myth and ancient history together to give Semiramis a voice, charting her captivating ascent to a throne no one promised her. The world Casati expertly builds is rich with dazzling detail and will transport her readers to the heat of the Assyrian Empire and a world long gone.

A professional baseball player and his heckler prove that true love is worth going to bat for.

Daphne Brink doesn’t follow baseball, but watching “America’s Snoozefest” certainly beats sitting at home in the days after she signs her divorce papers. After one too many ballpark beers, she heckles Carolina Battery player Chris Kepler, who quickly proves there might actually be a little crying in baseball. Horrified, Daphne reaches out to Chris on social media to apologize . . . but forgets to identify herself as his heckler in her message.

Chris doesn’t usually respond to random fans on social media, but he’s grieving and fragile after an emotionally turbulent few months. When a DM from “Duckie” catches his eye, he impulsively messages back. Duckie is sweet, funny, and seems to understand him in a way no one else does.

Daphne isn’t sure how much longer she can keep lying to Chris, especially as she starts working with the team in real life and their feelings for each other deepen. When he finds out the truth, will it be three strikes, she’s out?

A professor of literature finds herself caught up in a work of fiction… literally.

Eileen Merriweather loves to get lost in a good happily-ever-after. The fictional kind, anyway. Because at least imaginary men don’t leave you at the altar. She feels safe in a book. At home. Which might be why she’s so set on going to her annual book club retreat this year—she needs good friends, cheap wine, and grand romantic gestures—no matter what.

But when her car unexpectedly breaks down on the way, she finds herself stranded in a quaint town that feels like it’s right out of a novel…

Because it is.

This place can’t be real, and yet… she’s here, in Eloraton, the town of her favorite romance series, where the candy store’s honey taffy is always sweet, the local bar’s burgers are always a little burnt, and rain always comes in the afternoon. It feels like home. It’s perfect—and perfectly frozen, trapped in the late author’s last unfinished story.

Elsy is sure that’s why she must be here: to help bring the town to its storybook ending.

Except there is a character in Eloraton that she can’t place—a grumpy bookstore owner with mint-green eyes, an irritatingly sexy mouth and impeccable taste in novels. And he does not want her finishing this book.

Which is a problem because Elsy is beginning to think the town’s happily-ever-after might just be intertwined with her own.